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星空影院

假面骑士极狐
日本日语2022
■令和骑士第4作是!多名骑士参与生存游戏!?零一、圣刃、利维斯――这些在新时代鲜明地疾驰、传达各自信念的“令和假面骑士”们。继他们之后的令和骑士第4作将于9月4日(星期日)开始播出。2022年,在延绵不绝、不断传承的假面骑士历史上,刻下新的一页——《假面骑士Geats》,投身于神秘生存游戏中,全新假面骑士诞生了!■为了守护和平,加入生存游戏!只有胜者,才是真英雄!以破坏为目的进攻世界的神秘敌人——【Jiamato】,为了保护街道和平而举行的游戏——【欲望大奖赛】。游戏参加者们各自变身为假面骑士,打倒敌人、获取道具,赢得分数与其他骑士竞争,以最后的胜利为目标。【欲望大奖赛】的胜者将会被授予【实现理想世界的权利】的奖励,也就是说,只有获得胜利的真英雄,才能实现自己所希望的世界。生存游戏像 “堡垒之夜”、“PUBG”等网络游戏,是孩子们熟悉且喜爱的游戏类型。这种难以预测的惊险游戏将与假面骑士进行大胆的融合!全新的假面骑士在2022年降临。■原型是“白色的狐狸”! 充满谜团的新骑士“Geats”降临!主人公是神秘的青年——浮世英寿,变身为像是戴着白狐面具的“假面骑士Geats”。“最后获胜的是我”,一个自信满满的天才,他到底是什么人…!?红色线条的狐狸面具、黑色底裤配上白色的盔甲、手持充满近未来感的武器、红色靴子旁边延伸出摩托车排气管一样的部件。光是想象他的战斗姿态就让人兴奋不已!本作的最大的特征是,多个假面骑士在生存游戏中互相竞争。

星空影院

星丘车站失物招领
日本日语2016
那是一个下雪的日子,某户四口之家的幸福生活戛然而止。父亲濑生藤二(松重丰 饰)和母亲爽子(木村佳乃 饰)的感情破裂。年幼的兄弟俩目睹了幸福粉碎的一刻,母亲走下汽车,决然离去。20年后,四口之家的弟弟温人(中村伦也 饰)成为星丘车站的工作人员。车站失物招领处的架子上,三三两两堆放着旅客们遗落的物品。它们悄无声息,等待着主人的归来。温人热衷于为这些遗失物品制作标签,他想象着失主们的模样,不自觉地乐在其中。可是每过一段时间,超过期限的遗失物品就会作为垃圾清理掉,温人为数不多的朋友——沧桑而憔悴的清洁工仁吾(市原隼人 饰)将这些物品带向终点。在星丘附近,有一家经营了许久的游乐场。孩提时代,温人曾与家人共同造访此地,并留下永生难忘的美好回忆,妈妈那身红色的大衣以及美好温柔的微笑深深烙在他的脑海之中。而今游乐场即将关门停业,这则消息传出不久,一则讣告便意外送到温人的手中。死者是他的妈妈,从中尾刑事(岛田久作 饰)和大林刑事(杏 饰)口中得知,妈妈死于自杀。在过去的二十年里究竟发生了什么?妈妈和新的家人之间又经历了怎样的风风雨雨?以母亲之死为契机,温人开始着手调查,并由此见到了没有血缘关系的姐姐七海(佐佐木希 饰)和同母异父的弟弟雄哉(菅田将晖 饰),进而得知母亲生前和300万日元的巨款纠缠不清。为了弄清真相,他找到了失联多年的哥哥哲人(新井浩文 饰)。星散各处的四个姐弟,因这桩意外而联系在一起……

星空影院

残酷
日本日语2018
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.    “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.    The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

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