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星空影院

越来越好
中国大陆汉语普通话,普通话/2003
马路旁的高楼上,一个欲寻短见的姑娘引来了众人的围观,交通因此被严重堵塞,出租车司机贺天喜也被堵在了长长的车队里,一向仗义的天喜得知有人要轻生,毫不犹豫地爬上楼顶,设法稳定住了姑娘的情绪,还机智地套出了她轻生的原因。原来姑娘名叫彭燕,刚从农村来找和自己相爱了多年的男友范好,可如今已经是大学生的范好早已经有了新的女朋友。彭燕无法承受感情的打击,欲寻短见。为了阻止彭燕,天喜情急之下谎称自己和范好是哥们,并承诺自己能劝范好回心转意。单纯的彭燕信以为真,从此盯上了天喜,一定要他实现对自己的承诺。天喜因此遭遇了不少麻烦。先是女友叶小纹误解了他和彭燕的关系,好不容易把误解消除了,又因为劝说范好与彭燕重归于好不成,冲动之下动手打伤了范好。由于情节严重,天喜被刑事拘留。心怀愧疚的彭燕常常来看守所看望天喜,再次引得小纹极度不满。与此同时,住进医院的范好竟然被检查出得了白血病,一心想救范好的彭燕主动要求捐献骨髓,但却与他不匹配,无奈之下只好再次求救于天喜,巧的是,天喜的骨髓检查结果刚好与范好匹配。但当天喜得知叶小纹为了实现自己的梦想,投入了话剧演员培训班秦老师的怀抱时,极度伤心的他把气撒在了同样喜新厌旧的范好身上,他拒绝了为范好捐献骨髓。为了生活,彭燕四处寻找工作,虽然遭遇了很多麻烦,但她仍然保持着善良、单纯的本性。彭燕的热情感染了天喜,他献出了自己的骨髓,又悄悄地卖了自己的车,帮彭燕实现了一个梦想,之后自己背上行囊,准备漂泊他乡开始新的生活。彭燕看到了天喜送给她的那家以自己名字命名花店后,不顾一切地赶到了火车站,面对天喜,她突然发现自己找到了真爱……

星空影院

纽约夜月情
美国英语1993
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

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